'Tis hard, my friend, to write in such an age,
As damns not only poets, but the stage.
That sacred art, by heaven itself infused,
Which Moses, David, Solomon, have used,
Is now to be no more: the Muses' foes
Would sink their Maker's praises into prose.
Were they content to prune the lavish vine
Of straggling branches, and improve the wine,
Who, but a madman, would his faults defend?
All would submit; for all but fools will mend.
But when to common sense they give the lie,
And turn distorted words to blasphemy,
They give the scandal; and the wise discern,
Their glosses teach an age, too apt to learn.
What I have loosely, or profanely, writ,
Let them to fires, their due desert, commit:
Nor, when accused by me, let them complain;
Their faults, and not their function, I arraign.
Rebellion, worse than witchcraft, they pursued;
The pulpit preached the crime, the people rued.
The stage was silenced; for the saints would see
In fields performed their plotted tragedy.
But let us first reform, and then so live,
That we may teach our teachers to forgive;
Our desk be placed below their lofty chairs,
Ours be the practice, as the precept theirs.
The moral part, at least we may divide,
Humility reward, and punish pride;
Ambition, interest, avarice, accuse;
These are the province of the tragic muse.
These hast thou chosen; and the public voice
Has equalled thy performance with thy choice.
Time, action, place, are so preserved by thee,
That e'en Corneille might with envy see
The alliance of his tripled unity.
Thy incidents, perhaps, too thick are sown,
But too much plenty is thy fault alone.
At least but two can that good crime commit,
Thou in design, and Wycherly in wit.
Let thy own Gauls condemn thee, if they dare,
Contented to be thinly regular:
Born there, but not for them, our fruitful soil
With more increase rewards thy happy toil.
Their tongue, enfeebled, is refined so much,
That, like pure gold, it bends at every touch.
Our sturdy Teuton yet will art obey,
More fit for manly thought, and strengthened with allay.
But whence art thou inspired, and thou alone,
To flourish in an idiom not thy own?
It moves our wonder, that a foreign guest
Should overmatch the most, and match the best.
In under-praising thy deserts, I wrong;
Here find the first deficience of our tongue:
Words, once my stock, are wanting, to commend
So great a poet, and so good a friend.